The Slip 'n Slide beach
For the Slip 'n Slide events we designed a whole beach: custom huts, wooden signage, temporary tattoos, a branded selfie booth and phone-charging stations, all pretty innovative at the time.
Case StoryBeverage & CPGNew York
I joined Vita Coco as its in-house art director in 2015 and helped turn a one-designer desk into a creative team: packaging, retail, events and campaigns, through the year the brand first hit $1 billion in sales.
The short version
Art director of Vita Coco's in-house creative team in New York. I managed the packaging system across Tetra Pak, shrink wrap, screen-printed plastic and wrap-around jar labels, plus retail displays, events, production for every campaign, and the files that held it all together.
01 · The team
Vita Coco was founded in 2003 and kicked off the coconut water wars. By 2010 it was the best-selling coconut water in the world, with super-fans and celebrity investors like Madonna, Rihanna and Kelly Slater. Around then, Ed had been the brand's only in-house designer for a few years and couldn't keep up. I was traveling through Venezuela and Argentina when I applied for the job as a joke.
I started on Groundhog Day 2015. Ed and I only overlapped for a year, but the team kept growing, to three designers in-house plus agency partners, as I grew into my first art director role. We're all still friends, and we still team up on special projects.
Ed had built an impressive setup: a Wufoo form that fed into Trello, which synced to Evernote so the wider team could see our work, because nothing better existed yet. I caught the DesignOps bug for good: agile workflows, and a better process every time a new tool appeared.
My first priority was a proper Creative Library on Dropbox. Our files had passed through a string of freelancers and random agencies, and it showed. The structure I built became the team's shared language, and it's the backbone of this story.

02 · Educational creative
Today everyone knows the benefits of coconut water and coconut oil. When we started, our biggest marketing job was explaining them. So we made Coco Notes: little educational brochures handed out with samples at events, in stores and on the street, starring an adorable coconut character who made it all fun.
Eventually we realized the sample itself could do the teaching: a 200ml Tetra Pak with the whole lesson printed on it. It was Ed's last big project at Vita Coco, and he still proudly keeps one of the first samples we got back.





03 · Packaging
Packaging got most of our in-house energy from day one. The challenge was making the creative look right across the whole range, from the smallest 330ml packs to the 1L, with the same elements, every flavor and a lot of languages, all feeling unmistakably Vita Coco.
I managed the system across Tetra Pak, complex shrink wrap, screen-printed plastic and wrap-around jar labels. Ed and Rhea did some really cool flavor evolutions, like Lemonade and Lemon Tea, inspired by lemonade-stand awnings. Kids' packs were short-lived but fun, with a die-line built for lunch boxes.
I worked on many versions of Coconut Oil, and on our biggest bottle, the 1.5L sustainable PET, where getting the shrink wrap accurate was the real challenge. Then came the departures: Coconut Wipes, Lotion, Milk, Yogurt and even Ice Cream. And we had lots of fun with outer cases and custom variety packs for big-box retailers.











The long versionWant the details? I recorded a walkthrough of the packaging work, in my own words.
04 · Sustaining creative & hard POS
Internally, anything durable was "sustaining creative" or "hard POS": truck wraps, sketches for big events and in-store activations, shrink wraps, and the corrugated and wooden pieces that brought displays to life.
We designed coolers, fridges, awnings, many kinds of palm trees and great beach swag. We dressed our brand ambassadors and their rides, from tricycles with fridges on the back to golf carts and vans with real coconuts on the roof. And over the years, a lot of influencer kits.











Three experiential highlights
01
For the Slip 'n Slide events we designed a whole beach: custom huts, wooden signage, temporary tattoos, a branded selfie booth and phone-charging stations, all pretty innovative at the time.
02
The Coconut Milk launch at Expo West was spectacular, with a huge cow lounging in a hammock and adorable swag. Next to it, a simpler Coconut Oil corner with a branded popcorn machine and cute disposable bags.

03
My last project at Vita Coco, and the one with the most creative freedom. We took over the whole window: flying beach balls over a sandbox of cereal that looked like sand. We also made special menu items, foldable menus and every little detail to tropicalize the store.


05 · Seasonal creative & soft POS
"Seasonal" mostly meant summer, when we launched our biggest campaigns and, naturally, sold the most coconut water. For most of them we partnered with Madwell, a Brooklyn agency with a bigger creative team and very cool ideas.
Madwell led the concepts and most of the design. As the in-house art director, I met with them to keep us aligned on concept, assets and needs, then took their work into production across every printed and digital channel. Agencies deliver high-level base creative, so a big part of my job was extending it, building the rest of the assets in the look we'd agreed on.

01
Our first series of iconic ads, starring Rihanna, plus posters with Kelly Slater and A-Rod.

02
A sports-focused campaign with Julio Jones, Manti Te'o and Marshawn Lynch.
03
Lines like "Our plant is a plant," and video spots starring Jane Lynch. Our first big national TV spots!

04
We riffed on "Our plant is a plant" with a search for a new Plant Manager, starring Chrissy Teigen, plus a first-of-its-kind Snapchat campaign with 3D tracking filters.
05
Starring a very weird guy singing nonsense karaoke.









Arthur, a Vita Coco OG who became my mentor and dear friend, asked me to help build a brand from scratch. Here's how that one came together.
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